On September 26, the New York City Council will vote on whether to approve a developer’s application to build an eight-story hotel next door to the Merchant’s House. There is no case that can be made for the proposed construction, but there are many reasons that it is absolutely unwarranted:
It will result in catastrophic damage to the fragile 186-year-old building, and according to engineering analyses would likely lead to its collapse.
The developer’s application requests a zoning text amendment for “spot zoning,” which is illegal, benefiting the developer alone.
The community is vehemently opposed to the eight-story hotel in this location.
The hotel project could be shifted to a site around the corner at 403 Lafayette, which the developer already owns!
When the time came to restore the parlors of the Merchant’s House in 1977, the head of the restoration turned to one of the most prominent architects of the period, Edward Vason Jones, who was so impressed with the beauty and the importance of the house that he offered his services free of charge.
Jones’ works include the first restoration of the Department of State Diplomatic Reception Rooms and renovations to rooms of the White House under the administrations of Nixon, Ford, and Carter. One of the receptions rooms was named “The Edgar Vason Jones Memorial Hall” in his honor.
To restore the parlor plaster, Jones brought on a team of the country’s finest craftsmen who had worked with him at the White House. David Flaharty, the sculptor and ornamental plasterer who would bring the dramatic ornamental plaster back to its original beauty says that the matching ceiling medallions are “unquestionably among the finest such designs to survive.” In his opinion they are superior to any composed during the American Classical Revival.
Still in Place after 186 years!
A little over five feet in diameter, they are larger than most ceiling medallions found in Greek Revival homes. In addition, rather than being flat, as such medallions usually are, their centers of alternating foliate acanthus leaf clusters are recessed into the ceiling. This characteristic creates depth and adds interest, but along with the large size of the medallion, requires an extremely elaborate system of framing and lathing of the central ceiling joists. That these heavy medallions are still in place after 186 years is a testimony to the skill of the original builder. That it is impossible to detect which missing elements were replaced by the restorer is a testimony to the skill of the expert Jones hired to do the work.